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Because these small pixels will suffer badly if you don't. I am highlighting the fact that this new camera redefines the landscape in terms of what video for serious shooters means. And it shows that the video specs of the R5, even if it were usable at 8K, and not that impressive anymore. ‘Of Two Lands’ founder, Florent Piovesan is a French Australian filmmaker currently based in the French Alps. As part of his popular YouTube Channel, he has nearly two hundred videos that showcase all things filmmaking alongside of his travels. ‘Our Perfect Day’ is a 240fps 4K resolution camera test, shot on Blackmagic’s URSA Mini Pro 12K using a Sigma Art lens.
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I'm just happy that the people who do make great content have better and better quality at a lower and lower price. Vance Burberry is a highly notable cinematographer with a career spanning thirty years shooting music videos, commercials, underwater work and feature films. British cinematographer, Ben Davis BSC., is well known for his work on Hollywood blockbusters and beautifully crafted independent films. Ben recently shot Banshees of Inisherin on Achill Island off the coast of Ireland. Ben talks about his work with Martin McDonagh and why they chose to use a Blackmagic URSA Mini Pro 12K as one of the production cameras. When I tested the first-gen Ursa Mini Pro 4.6K, it was before Blackmagic had released its RAW video format.
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I mean, the A7R IV is one of my top two dream cameras right now but let's be honest, stills cameras are hardly pushing the cutting edge of technology and haven't been for a long time now. Even the best ones are years behind what's actually possible, heck in some ways (user interface, connectivity) they're decades behind. All you have to do is look at what video cameras and smartphones have been doing over the last several years to realize that the stills camera industry has become a technological backwater. With specs like these, it's easy to see that video is getting way more R&D money than stills.
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If you do, the URSA Mini Pro 4.6K will require another external accessory — a recorder. Even when coupled with the Blackmagic Design URSA Mini SSD Recorder for 400 bucks, you will not be able to record proxies simultaneously. Instead, you will have to make them outside of the camera. Since you have the ability to record on SD or CFast 2.0, we would have liked to have the capacity to record proxies onto one, while capturing RAW on the other.
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For audio, there are 2 XLR balanced analog inputs with 48V of switchable phantom power for external microphones. The company says that the Super 35 sensor found in this model is 'optimized for images at multiple resolutions' and that it features a unique (non-bayer) design with an equal number of RGB pixels. We've contact Blackmagic Design for further information on the sensor and will update with additional information when it becomes available. In summary, I was very impressed with my maiden voyage shooting with Blackmagic Design and the URSA Mini Pro 12K.
There is, of course, a certain benefit that comes with a heavier body. While a heavier body might be more challenging to handhold for extended periods, the added weight does help to reduce some of the micro jitters you so often see when holding a super lightweight camera. As remaining production time became sparse, I increasingly turned to handholding several of the shots for my projects and, despite testing my grip strength, I was happy with the results. Additionally, starting with more resolution allows you to crop in further in post without losing detail.
Blackmagic Design Ursa Mini Pro 4.6K G2 Hands-on Review - Digital Trends
Blackmagic Design Ursa Mini Pro 4.6K G2 Hands-on Review.
Posted: Thu, 13 Feb 2020 08:00:00 GMT [source]
The world’s most intuitive and fastest to use digital film camera!
The Ursa Mini Pro 12K has built-in ND filters with IR compensation, in 2, 4 and 6-stop range. The left of the camera has a second LCD screen which shows frame rate, shutter angle, aperture, white balance, ISO, iris, battery indicator, card recording status and audio meters. There are XLR audio connections, a 12G-SDI out connector, HD-SDI monitoring out, 2 LANC inputs, timecode in and reference input. That’s the sort of controls that experienced filmmakers like and have a use for. Whether you’re managing a global brand or part of a creative agency shooting ads, you need to make your product look amazing. That's why it's vital that television commercials are shot using digital film.
Blackmagic URSA Mini Pro 4.6K G2 – First Slow-Motion Footage - CineD
Blackmagic URSA Mini Pro 4.6K G2 – First Slow-Motion Footage.
Posted: Mon, 25 Mar 2019 07:00:00 GMT [source]
Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Belgian audio and video post production facility adopted Fairlight for audio post production in a recent overhaul of its legacy systems. Mark has spent 20 years headlining comedy shows around the country and made appearances on ABC, MTV, Comedy Central, Howard Stern, Food Network, and Sirius XM Radio. He has written about every topic imaginable, from dating, family, politics, social issues, and tech.
The C200 is easy to shoot handheld without a shoulder rig, and because it’s lighter, it’s easier to keep up over time. The URSA Mini Pro 4.6K gives you loads of workflow options. Shoot at a data rate as high as 4.1 Gbps in uncompressed RAW 4.6K or as little as 176 Mbps in ProRes Proxy 4.6K. One thing to consider though, if you desire to shoot RAW in any resolution outside of 4.6K, you are going to gain a crop related to the resolution you shoot. Blackmagic doesn’t publish the changing crop factor, but it appears to be pixel to pixel reduction with your resolution change.
You’ll need to shell out another 135 bucks for that. We found ourselves with the first URSA at 16.5 pounds (lbs) and needed a tripod, but tripods with that weight capacity aren’t cheap. This camera weighs less at 5.1lbs, but the battery will weigh between two and three pounds and the lens adds another pound and a half to two pounds. It would be a mistake to get a camera with the capability of the URSA Mini Pro 4.6K and not have a set of sticks to support it. All this said, just make sure you configure what you’ll need before you spend any money.
Personally, I knew I was already going to be working in DaVinci Resolve Studio, so that wasn’t a problem. Also, I was specifically interested in working in Blackmagic RAW to see if it would solve a practical issue that pertains to my specific workflow. This added room for cropping also comes into added play with the URSA Mini Pro 12K because it does not have in-body image stabilization. So, if you are one who likes to shoot wider then stabilize in post, starting with maximum resolution gives you the most flexibility. Now while I will briefly touch on some of the jaw-dropping technical specs of the camera, this is not going to be an overly tech-laden review.
Automatic recording of camera settings and slate data such as project, scene number, take and special notes. Featuring a revolutionary 12K Super 35mm 80 megapixel sensor with generation 5 color science and 14 stops of dynamic range, URSA Mini Pro 12K is designed for high end feature film production. Like I said earlier, I am not the one to do extensive lab tests to try and compare one camera’s image quality to another. I simply go by whether or not the camera is returning the image that I want or not.
It appears to be EXTREMELY impressive for anyone that is in its target market, and is going to drive the competition. It's also going to be brutal to companies who have been artificially segmenting their product line, and putting a lot of features only in $20k+ ultra-high-end units. @Slaginfected "So you will use this Blackmagic to do the next big photoshoot? Or carry it around on the next multiday hiking trip with its easy 2.5kg body weight."
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